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The Rhetorics of Modernity and the Logics of the Fetish | SpringerLink
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The Rhetorics of Modernity and the Logics of the Fetish
Contested Modernities in Chinese Literature pp Cite as. I t is striking that the fetish, which appears as a significant concept in the works of theorists as varied as Kant, Voltaire, Marx, and Freud, first took shape as a discursive element at a time when European merchants were attempting to join a vibrant broader network of Atlantic trade relations in the sixteenth century. While these parallels are thought-provoking and deserve a detailed treatment, this chapter aims at a more circumscribed goal: an inquiry into the functions of modernity as a fetish in the field of modern Chinese literature as it has been constituted in the American academy. Unable to display preview.